Mara Mbele (Independent Scholar)
mara@****.com (Log-in to reveal)
This panel invites papers that slash into the seductive language of giallo film titles and their often dissonant English translations. Somewhere between a whisper and a scream, these titles—L’uccello dalle piume di cristallo, Sette note in nero, La morte cammina con i tacchi alti—tease, mislead, and titillate. What happens when they cross linguistic borders, becoming The Bird with the Crystal Plumage, The Psychic, or Death Walks on High Heels? This panel explores the translation of giallo titles as a site of cultural transformation and genre distortion—where violence, sex, mystery, and style collide in language.
We seek work that treats the giallo title as more than marketing: as affective trigger, poetic gesture, and linguistic sleight of hand. Submissions may examine how translation reconfigures tone, symbolism, and audience expectation; how wordplay and euphemism survive—or don’t—across languages; and how cultural and historical anxieties shape naming practices. From the baroque to the blunt, giallo titles form their own bloody lexicon. Let’s decode it.
We welcome papers that engage with:
Translation as a site of genre (re)construction
Linguistic and cultural analysis of Italian vs. English titling
The erotic, the euphemistic, and the exploitative in title design
The role of translators, marketers, and distributors as co-authors
How titling affects the reception of gender, violence, and spectacle